cineverse

<div class="text-grey o3 mb-[6px] flex h-[20px] w-full items-center gap-x-[8px] uppercase empty:m-0 empty:h-0 dark:text-white" data-external-selector="teaser-object-label"><div class="w-[calc(100%-20px)] flex items-center gap-x-[8px] uppercase"><!----><!--[--><span class="block truncate">Film „Steal this story, please!“</span><span class="sr-only">: </span><!--]--></div></div><div class="mb-[8px] items-start dark:text-white h3 text-grey" data-selector="teaser-object-title" data-external-selector="teaser-object-title" data-v-a3117f1f>Amy Goodmans harter Risikojournalismus</div>



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Film „Steal this story, please!“:

Amy Goodmans harter Risikojournalismus
  Der Dokumentarfilm „Steal this story, please!“ nähert sich einer Frau, die ihre Nachrichtenarbeit nicht neutral begreift, sondern aktivistisch. Elisabeth Knetsch

<div class="text-grey o3 mb-[6px] flex h-[20px] w-full items-center gap-x-[8px] uppercase empty:m-0 empty:h-0 dark:text-white" data-external-selector="teaser-object-label"><div class="w-[calc(100%-20px)] flex items-center gap-x-[8px] uppercase"><!----><!--[--><span class="block truncate">Film „Zoomania 2“</span><span class="sr-only">: </span><!--]--></div></div><div class="mb-[8px] items-start dark:text-white h3 text-grey" data-selector="teaser-object-title" data-external-selector="teaser-object-title" data-v-a3117f1f>Schlängeln statt quengeln</div>



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Film „Zoomania 2“:

Schlängeln statt quengeln
  Wie sähe eine Gesellschaft aus, in der Leute verschieden, aber einander gleich wertvoll sein können? „Zoomania 2“ setzt jetzt im Kino die Mischung aus Spaß, Liebe und Sozialkarambolagen fort, die schon den ersten Teil auszeichnete. Dietmar Dath

<div class="text-grey o3 mb-[6px] flex h-[20px] w-full items-center gap-x-[8px] uppercase empty:m-0 empty:h-0 dark:text-white" data-external-selector="teaser-object-label"><div class="w-[calc(100%-20px)] flex items-center gap-x-[8px] uppercase"><!----><!--[--><span class="block truncate">Filmklassiker „Absolute Giganten“</span><span class="sr-only">: </span><!--]--></div></div><div class="mb-[8px] items-start dark:text-white h3 text-grey" data-selector="teaser-object-title" data-external-selector="teaser-object-title" data-v-a3117f1f>Raus aus dem Betonblock in Eimsbüttel</div>



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Filmklassiker „Absolute Giganten“:

Raus aus dem Betonblock in Eimsbüttel
  Sebastian Schippers Coming-of-Age-Film „Absolute Giganten“ ist ein Denkmal für den viel zu früh verstorbenen Ausnahmeschauspieler Frank Giering – und die Freundschaft. Jannis Holl

<div class="text-grey o3 mb-[6px] flex h-[20px] w-full items-center gap-x-[8px] uppercase empty:m-0 empty:h-0 dark:text-white" data-external-selector="teaser-object-label"><div class="w-[calc(100%-20px)] flex items-center gap-x-[8px] uppercase"><svg xmlns="" width="20" height="20" viewbox="0 0 43 43" fill="none" class="shrink-0"><title>FAZ+</title><path class="fill-grey-light" fill-rule="evenodd" d="M38.7 0H5.38S.5 0 .5 4.87v33.26S.5 43 5.37 43h33.24s4.87 0 4.87-4.87V4.87c.1 0 .1-4.87-4.77-4.87Z" clip-rule="evenodd"></path><path class="fill-darkblue" fill-rule="evenodd" d="M23.92 8.2c-.76 0-1.53-.12-2.32-.35-.8-.23-1.82-.57-3.07-1.02-1.37-.5-2.49-.87-3.36-1.1-.88-.25-1.76-.37-2.65-.37-1.43 0-2.65.3-3.67.86a5.74 5.74 0 0 0-2.3 2.26c-.5.93-.75 1.9-.75 2.93 0 1.25.35 2.27 1.05 3.04a3.4 3.4 0 0 0 2.62 1.15c1.16 0 2.1-.4 2.82-1.17l-.13-.23c-.74.43-1.5.65-2.3.65-.91 0-1.65-.28-2.21-.84a2.94 2.94 0 0 1-.85-2.18c0-.93.3-1.64.9-2.13.6-.49 1.4-.73 2.45-.73.78 0 1.57.13 2.38.37.82.25 1.82.62 3 1.1 1.26.51 2.33.9 3.2 1.16.88.26 1.76.4 2.62.4a5.66 5.66 0 0 0 5.05-2.88c.49-.86.79-1.79.9-2.78a3.96 3.96 0 0 1-1.37 1.43 4.1 4.1 0 0 1-2.01.42Zm10.19 6.5v5.64h5.42v1.96H34.1V28h-2.06v-5.7h-5.42v-1.96h5.42V14.7h2.06Zm-15.05 2.37c.25-.53.6-.97 1.07-1.32.47-.34 1-.52 1.61-.52.63 0 1.12.19 1.48.56.36.37.54.84.54 1.43 0 .54-.19 1-.56 1.38-.37.38-.79.57-1.26.57-.48 0-.88-.16-1.19-.46-.31-.3-.47-.7-.47-1.17 0-.43.1-.78.32-1.04-.4.2-.73.51-.95.94a2.96 2.96 0 0 0-.31 1.8c.71.68 1.27 1.38 1.67 2.07.4.7.6 1.5.6 2.4 0 1.02-.26 1.89-.8 2.6a10.4 10.4 0 0 1-2.35 2.18 8.87 8.87 0 0 0-1.88 1.6 4.7 4.7 0 0 0-.94 1.68 6.43 6.43 0 0 0-1.74-2.13 3.64 3.64 0 0 0-2.26-.67c-1 0-1.82.27-2.48.9-.66.62-1 1.5-1 2.51a4.15 4.15 0 0 0 2.4 3.8c.76.4 1.67.59 2.7.59 1.37 0 2.58-.37 3.64-1.12a8.58 8.58 0 0 0 2.6-2.97l.33.16a7.13 7.13 0 0 1-9.92 4.01 5.66 5.66 0 0 1-2.98-5.18c0-1.26.26-2.38.77-3.38.5-1 1.2-1.77 2.07-2.32a5.29 5.29 0 0 1 2.88-.83c2.03 0 3.74 1.01 5.13 2.9.32-.61.49-1.23.49-1.86 0-.75-.2-1.4-.59-1.95-.39-.54-1-1.19-1.82-1.95a14.3 14.3 0 0 1-2.03-2.24c-.46-.67-.7-1.5-.7-2.47 0-.97.25-1.8.74-2.56a6.91 6.91 0 0 1 3.65-2.9c-.37.4-.68.85-.93 1.34a2.94 2.94 0 0 0 .23 3.22c.4.54 1.02 1.2 1.87 1.98 0-.52.12-1.05.37-1.58Z" clip-rule="evenodd"></path></svg><!--[--><span class="block truncate">Regisseur Julian Radlmaier</span><span class="sr-only">: </span><!--]--></div></div><div class="mb-[8px] items-start dark:text-white h3 text-grey" data-selector="teaser-object-title" data-external-selector="teaser-object-title" data-v-a3117f1f>Umsturz von unten</div>



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FAZ+Regisseur Julian Radlmaier:

Umsturz von unten
  Julian Radlmaier ist der neue Star des jungen politischen Kinos in Deutschland. Sein Film „Sehnsucht in Sangerhausen“ stellt die romantische Frage, wie wir alles ändern könnten, indem wir zu einer Gemeinschaft zusammenfänden. Bert Rebhandl

<div class="text-grey o3 mb-[6px] flex h-[20px] w-full items-center gap-x-[8px] uppercase empty:m-0 empty:h-0 dark:text-white" data-external-selector="teaser-object-label"><div class="w-[calc(100%-20px)] flex items-center gap-x-[8px] uppercase"><svg xmlns="" width="20" height="20" viewbox="0 0 43 43" fill="none" class="shrink-0"><title>FAZ+</title><path class="fill-grey-light" fill-rule="evenodd" d="M38.7 0H5.38S.5 0 .5 4.87v33.26S.5 43 5.37 43h33.24s4.87 0 4.87-4.87V4.87c.1 0 .1-4.87-4.77-4.87Z" clip-rule="evenodd"></path><path class="fill-darkblue" fill-rule="evenodd" d="M23.92 8.2c-.76 0-1.53-.12-2.32-.35-.8-.23-1.82-.57-3.07-1.02-1.37-.5-2.49-.87-3.36-1.1-.88-.25-1.76-.37-2.65-.37-1.43 0-2.65.3-3.67.86a5.74 5.74 0 0 0-2.3 2.26c-.5.93-.75 1.9-.75 2.93 0 1.25.35 2.27 1.05 3.04a3.4 3.4 0 0 0 2.62 1.15c1.16 0 2.1-.4 2.82-1.17l-.13-.23c-.74.43-1.5.65-2.3.65-.91 0-1.65-.28-2.21-.84a2.94 2.94 0 0 1-.85-2.18c0-.93.3-1.64.9-2.13.6-.49 1.4-.73 2.45-.73.78 0 1.57.13 2.38.37.82.25 1.82.62 3 1.1 1.26.51 2.33.9 3.2 1.16.88.26 1.76.4 2.62.4a5.66 5.66 0 0 0 5.05-2.88c.49-.86.79-1.79.9-2.78a3.96 3.96 0 0 1-1.37 1.43 4.1 4.1 0 0 1-2.01.42Zm10.19 6.5v5.64h5.42v1.96H34.1V28h-2.06v-5.7h-5.42v-1.96h5.42V14.7h2.06Zm-15.05 2.37c.25-.53.6-.97 1.07-1.32.47-.34 1-.52 1.61-.52.63 0 1.12.19 1.48.56.36.37.54.84.54 1.43 0 .54-.19 1-.56 1.38-.37.38-.79.57-1.26.57-.48 0-.88-.16-1.19-.46-.31-.3-.47-.7-.47-1.17 0-.43.1-.78.32-1.04-.4.2-.73.51-.95.94a2.96 2.96 0 0 0-.31 1.8c.71.68 1.27 1.38 1.67 2.07.4.7.6 1.5.6 2.4 0 1.02-.26 1.89-.8 2.6a10.4 10.4 0 0 1-2.35 2.18 8.87 8.87 0 0 0-1.88 1.6 4.7 4.7 0 0 0-.94 1.68 6.43 6.43 0 0 0-1.74-2.13 3.64 3.64 0 0 0-2.26-.67c-1 0-1.82.27-2.48.9-.66.62-1 1.5-1 2.51a4.15 4.15 0 0 0 2.4 3.8c.76.4 1.67.59 2.7.59 1.37 0 2.58-.37 3.64-1.12a8.58 8.58 0 0 0 2.6-2.97l.33.16a7.13 7.13 0 0 1-9.92 4.01 5.66 5.66 0 0 1-2.98-5.18c0-1.26.26-2.38.77-3.38.5-1 1.2-1.77 2.07-2.32a5.29 5.29 0 0 1 2.88-.83c2.03 0 3.74 1.01 5.13 2.9.32-.61.49-1.23.49-1.86 0-.75-.2-1.4-.59-1.95-.39-.54-1-1.19-1.82-1.95a14.3 14.3 0 0 1-2.03-2.24c-.46-.67-.7-1.5-.7-2.47 0-.97.25-1.8.74-2.56a6.91 6.91 0 0 1 3.65-2.9c-.37.4-.68.85-.93 1.34a2.94 2.94 0 0 0 .23 3.22c.4.54 1.02 1.2 1.87 1.98 0-.52.12-1.05.37-1.58Z" clip-rule="evenodd"></path></svg><!--[--><span class="block truncate">„Lolita lesen in Teheran“</span><span class="sr-only">: </span><!--]--></div></div><div class="mb-[8px] items-start dark:text-white h3 text-grey" data-selector="teaser-object-title" data-external-selector="teaser-object-title" data-v-a3117f1f>Hinter den Schleiern der Stadt</div>



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FAZ+„Lolita lesen in Teheran“:

Hinter den Schleiern der Stadt
  Der Trost, den gute Bücher spenden: Der aus Israel stammende Regisseur Eran Riklis hat den mehr als zwanzig Jahre alten Bestseller „Lolita lesen in Teheran“ von Azar Nafisi verfilmt. Lena Bopp